Reality Unreal

Written
1994

 Southern sun on Northern lands,

     fall gold on deeper greens.

Valley sky clear, rain washed blue,

      a spot of calm surrounded

      by demanding storm clouds.

White pillars reach to heaven in the West,

        while ominous black

        covers the mountains in the East.

Drive toward that source and

       each cloud bank

      is a dramatic announcer of

      a mountain storm.

No lightening flashes or thundering threats

      from a hard working snow dropper,

      a George Stewart hero

      in annual appearance.

Higher and higher,

      darker and darker.

Truck dropped chunks of dirty snow

      litter the West bound lane.

Trouble is just ahead,

      but the sun is warm through the

      car window.

The heater purrs

      and still no storm

      yet for me.

 Grass Valley streets bend with glee

      to tell tales of gold and Lola Montez.

Walk the streets and fell the bluster

      of the wind.

The valley sun is gone

      and Sierra bleak, black

      covers the air with

      threatening expectancy.

From the delights of the antique store

      walk out into sleet, hail

      and three O'Clock darkness.

Time for a Valley kid

       to head home.    

Introduce the car to snow,

      reassure it

      and head South and West.

Defrosters, wipers and heater working

       soft, warm jazz playing

       so nothing to fear.

Watch the slick road

       and head home.

Leave the storm for

       those who know it.

But then the theater of the absurd.

Nature gone surrealistic,

       a definitional privilege

       not easily gained.

       In the West the sun shines,

       and the black storm

       in the mountains becomes

       a backdrop for the light show.

Moving towers of white, full of holes,

      cross the stage and provide golds

      and reds

      and silvers and beauty

      for which

      there are neither poets nor painters.

Change and change again,

      spectacular as if the viewer

      has no attentions span.

Then the Daliesque finale as

      the gold, brown and yellow of fall

      kissed valley oaks  patched here and

      there by a sun of the same hues.

A pastoral parchment painting

         spotlighted by tourchlight.

A weathering ranch house becomes a screen

      for the color show,

      windows announcing

      reflected warmth.

Over all too soon

      and then the freeway is covered

      by mountain traffic droppings

      of the brown dirt

      of a world washed by

      a Thanksgiving snow.

A short whisper of clestial beauty

      to be chersihed as long as

      there is memory and perhaps beyond.

 

Notes
I was caught in a very strong storm in Grass Valley and got out and on the freeway so I did not get snowed in. It was a remarkable storm.